"And yet I do. Every Friday morning. Your questions regarding the conduct of this administration are becoming tiresome, Minister."
Fudge was sitting in bed, a very old, very large one in the Minister's Suite. But even by the palatial standards of his surroundings, he could hardly help but be impressed at the bounty spread before him. Not merely the cascading pile of the morning papers piled on the sheets (The Prophet, the Quibbler, The Quidditch Post, unsurprisingly, but also The Times, Post, Guardian, the FT, and the Independent) or the smiling and pleasing form of one Kingsley Shacklebolt, but at the ample tray of edibles before him. Among his many talents, Fudge felt, Kingsley was unfairly denied his share of glory in the arcane and difficult arts of breakfast preparation.
"These are a new king of eggs, Kings."
"Hm. Try them, if you like. They're getting cold, you know. And I make this all by hand, I should remind you." Kings was sitting in his usual position on his side of the bed, reading glasses on; half-moon spectacles of the kind that Albus Dumbledore had made popular back in the sixties resting evenly on his long, straight nose. Light blue silk pajamas, top and bottom. One leg up to support the Muggle yellow legal pads he was so fond of. He was scribbling with a red pencil that he would occasionally turn the other end to. Well, more than occasionally. He was a perfectionist, and it showed. And had this habit of chewing on his eraser that Fudge gave him a lot of hell for. It was adorable, to be honest, but wizards, particularly English wizards who are brought up to be proper gentlemen to their male lovers, were supposed to call such things "striking" and such, so Fudge did -- wanting, after all, to be the avatar of politeness. Kings still got upset by it, but that was part of their routine.
He had been working on his book for Obscurus for the better part of two months, during which time the floor of their bedroom had become swamped with crushed and rolled-up spores of yellow lined paper, shot off at random intervals. Once, Fudge had interceded: "Kings. You could, you know, use a dictation quill. Everyone in the profession, does." Kings, at this point, would turn and remind "Oz" (he was the only one, besides Fudge's mother, who ever got to call him by his middle name) that he wasn't everyone -- and seeing as how Oz was given over so often to raving about his love's singularity, wouldn't that be a tad hypocritical? And moreover, how was he supposed to write Life as an Auror: The Kingsley Shacklebolt Story, espousing the values of discipline, diligence, etc. and so on, while not being willing to put nose-to-grindstone? And on top of that...
Then, Fudge smiled wryly. "Say what you will about your vaunted hard work, I'm not the one shagging the Minister, am I?" Kingsley stuck out his tongue and kept writing, and the Minister for Magic had almost been forced to sleep at Mad-Eye Moody's couch for the next week. Constant vigilance indeed.
He thought about this while poking at his eggs, and barely audible, muttered to himself, "Gryffindors, boggle, they think they're so good in bed..."
Kings, scribbling away, an eyebrow elevated but not even bothering to look up, said, sweetly, "What was that, love?"
"I said," replied Fudge, his mouth suddenly full of the strange omlette Kingsley had procured for him out of nowhere, "thish egg ish fantisshtak, *ahem* wherever did you find it?"
"That's what I thought."
Kingsley really did outdo himself on Fridays, though. Usually, Thursdays were date night, so Fudge often bought dinner or cooked, and the Auror did the turn come sunrise. Bacon, perfectly crisp. Eggs, always...interesting. Fudge liked to drink his coffee in intermittent sips, saving the last big gulp for the end of the meal, when the flavored richness could balance out the orange juice that he also would sip from time to time, usually bracketed by the pastries. The coffee today was had more of a mocha taste for it, from those beans the Turkish ambassador had brought last time. Kings' special touch was to include that new fruit that tasted like strawberries and peaches interbred; the boffins down at Herbology told him they'd discovered last month.
"Kings," said he, "that was perfect." He sat aside the tray on the night stand and pushed the covers off his legs in preparation for the ninety-degree rotation to rotate lower body into hanging-off-bed position, which would in turn be succeeded by the cruical donning-of-slippers portion of the day's activities.
"Merlin knows, I try for you...hey, look you, where are you going? You know the rules." He had the prepare-for-tackle stare Fudge instinctively understood to be a species of the intimidating body language Kings put on for dark wizards and occasionally Stan Shunpike. "Well, the rules and force of habit," Shacklebolt continued. "You never get out of bed before 11 on Friday mornings anyway."
"Can't be helped," muttered Fudge. "You forget today's that day."
"And what day would that be," cooed Kingsley, in his famous deep, rich baritone (he was donning his best passive-agressive look; an odd sort of face for a man who hunted other human beings for a living), "where I am left in to recuperate from last night, in traction almost, alone. Alone. Not cool, Oz. Not cool." This was concluded by what can only be described as a tough guy's unsuccessful attempt to pout.
Fudge glanced over his shoulder. "Right. I see I'm being visited by the Acid Queen, then."
Kingsley's eyes were theoretically attached back to his pad. "All I said was not cool."
"'Not cool.' Not cool, eh? You children." Fudge was now fully slippered and walking over to the bathroom door along the east end of the ministerial bedroom. The walls were wood paneled, and along the south one a clear ray of soft pale morning sunlight, dust-illuminating. Its otherwise translucent beam landed in a small pool on a big blue leather armchair. Finishing the last of his coffee and placing it back on the saucer he held in his left hand, Fudge droned on. "In breach of the 'cool'. Ptolemy forbid. I suppose. Look how out of sync I am. Does your..." Fudge smiled sharply and pursed his lips for a moment to make a point, savoring the pause as Kings looked on apparently unimpressed with this latest rendition of a long-running theme, being a kind of harping that Kinglsey Shacklebolt was neither unfamiliar with nor particularly enchanted by. Kings' eyes now appropriately rolled upwards and arms fully at crossed position, Fudge felt free to continue: "*ahem*, hip now bear the brunt of my depradations?"
Still beaming, now sweetly, he searched through the perpetually creaky armoire in the corner of the room. "Or might your beloved 'Oz' have a deeper link to the fashionable than you think?" He opened the doors wide, turned, and gave a showman-like sweep of the hand, as if showing off what he thought to be a fairly impressive wardrobe to a new guest.
"Yeah, turn of the century fashion."
"Pardon?"
"You heard me, you lecherous old bastard."
Most of the times Cornelius Fudge looked at Kingsley, he felt like he was doing so for the first time. He liked to imagine how they looked together; a round, portly, pale, increasingly wrinkly balding middle-aged burgher next to the sleek, powerful, dark brown build of the clean-headed youth next to him. Well, maybe not a youth, but young for the Wizarding World. Kingsley, whatever his age, had a way of being annoyingly beautiful. In clothes or out. Not that, Fudge smirked inwardly, he could tell him that. He then suddenly felt a klunk! to the head and realized something that felt a lot like the shoe of Kingsley Shacklebolt, Auror, had been lobbed at him. He looked down, and, indeed, his suspiscions were confirmed.
"I'm talking to you, Oz. Look; why the hell can't you stay in today? It's right well horrible outside."
Sun still shining.
Kingsley was nonchalant. "Well, it might be one of those days that gets bad later."
"First of all, my heart, in response to your question earlier, today is the day for the Minister's Lecture at Hogwarts. In order to make it to said lecture, I'm forced to go through today's paperwork earlier than I would usually. Second, relating to your paranoia concerning outside weather patterns -- if I recall, I do remember recently having been assigned a Ministry bodyguard, you know, that's supposed hold the umbrella for me if it rains, although someone apparently forgot his job required CONSTANT VIGILANCE of his principal's whim and need."
Kingsley, eyes still reading his latest: "Of course, but that's because a certain someone decided buggering the help was a great idea."
"Sometimes CONSTANT VIGILIANCE means satisfying odd needs. Like getting me a cranberry muffin, you know."
Kingsley looked up from his writing, pushed up his glasses, and said, with a sardonic smile, "I've been giving you cranberry muffins every day, your Highness. Not really my fault if age...dulls the appetite, now is it?" White teeth now fully engaged.
"Psssh. This administration's butter knife is as able as ever." Fudge took out a dark navy-colored suit and robe with light blue stripes from back in the armoire and laid it on the chair. He began to take off the burgundy-colored dressing gown he'd just put on with his slippers.
Watching surely what, to his mind, had to be the most awkward strip-show going on in the world at that moment, Kingsley's eyebrows went up when Fudge got down to his boxers. "Really, now, Cornelius. Again, uncool. Please don't do that when I've just had breakfast -- if you're really intent on walking the Muggle streets sometime today, we'll see plenty of fatty, pale English flesh. Ampleloads."
"I hate you."
"I know."
ABOUT FIFTEEN minutes later, Fudge was walking down the checkerboard black-and-white floor that led from the elevators to the Minister's Complex. Kingsley, having finally been risen Lazarus-like from bed and bitchy as always, was going to meet him in the Main Lobby in half an hour. From there they would leave for the school. But first, essential paperworks had to be completed. Prodigies of expression had to be spilled out onto parchment.
Ministers of Magic have traditionally two offices. One public, one private. Again, Fudge was no different in this regard. When he was free, he preferred to work in his cozy personal study, the one that contained the Washington Portkey door. To get to that one, you had to go through the official dining room. But official paperwork was always done in the Minister's Office, which was unironically and colloquially known as the Big Office, or the Big Room.
There'd be a pile of stuff waiting for him, even on this Friday. He just knew. He suddenly had a headache. Tired, for some reason.
He nodded to Basil, temporarily on loan from Transportation, who was sitting, bored, behind the secretary's desk in the foyer of the Minister's Lobby. He walked across the polished tiles and poured himself a cup of hot chocolate from the talking bronze kettle on the pastry table.
"Isn't it a marvelous day?" said the horribly cheerful kettle as Fudge poured out its steaming brown fluid innards into a mug.
"Fantastic," he replied, muttering under his breath.
"Tip me over and pour me out!" it squeaked helpfully.
Fudge grumbled some more.
He took a sip. Ugh. What the -- ah, but of course. Basil was new. The cardinal rule of preparing hot drinks on Fudge's floor was never to use the Gilderoy Lockhart's Sunrise-With-A-Smile Mix. The Ministry got sacks of that wretched stuff as a courtesy gift every year.
Fudge had tried to stop Lockhart from sending it, but the man himself had strangely disappeared from public view a few years back, and he couldn't get a hold of any of his friends. The Ministry sent as much of it to Durmstrangs as possible (apparently, they really liked it), but a few bags always ended up being left behind. It tasted just awful -- plus, it made inanimate objects annoyingly cheerful. Fudge dumped several lumps of sugar into his cup and soldiered on.
"The first thing to learn about a medieval bureaucracy," he'd told Weasley once, "is, really, how much paper there is." And how much writing it took. Fudge put so much stock in the use of dictation-taking quills precisely because he so rarely got to use them himself.
Regardless of what Scribbulus Everchanging Inks told you, an experienced eye could always tell you if it'd been a real hand writing the word. So that meant every private letter, every kindly reminder or missive of sympathy, every remonstrance of policy or epistolary gesture, every condolence to the wife or husband of a deceased Auror, had to be done by hand. There were always a lot of those. And the Cabinet, the Department Heads, they got upset and felt snubbed if they got a note and you hadn't gotten ink on your fingers, so that had to be scrawled personally. And that wasn't even to mention all the memos that were, well, off the books, so to say.
And. The secret stuff had to be scrivened out too. Because even a magic quil that heeds only its master's voice will yield surprising information when the right spell is pressed upon it. Several Ministers had learned that the hard way. Fudge often thought of his predecessors as he walked down the hallway to the Big Office with the strange purple desk. It was hard not to; their portraits, along with the portraits of sundry high muckamucks from the Ministry's history, lined the wood-paneled walls that ran the length of the very long passage from the lobby of the Minister's floor. They were spaced inches apart and, like at Hogwarts, covered every inch of available horizontal space.
And like the pictures in the Headmaster's Office, they were not shy about giving their opinion. Fudge, having visited both the World Cup and the Wizengamot, had a relatively high tolerance for inane chatter -- but the Peanut Gallery, as he called them, still got on his nerves. Yet, collectively, they always seemed to know more than you did -- and knew it before you did, too. It did more than draw attention to them; it insured them immortality and a refuge from some dusty storage cell down in the Crypts. They talked among themselves constantly, it seemed. Nobody had ever figured out how they moved from place to place; how, if some eminent personage had a portrait at both Hogwarts and the Ministry, they could be connected. They just were. Yet another one for the Unspeakables and the Brain Tub. Odd thing, a network of loudmouth spies. But for all their artificiality and repetitive burblings, when they claimed to know something, they really knew. For this reason, every Minister had kept them on the walls, even when they wouldn't shut up. Fudge knew that one day he'd be up there too.
And what a collection they were. A plenitude of faces! Wise old warlocks in stretched brown wigs, shrewd-eyed witches with ancient faces and telling looks; Famous Beaters, Chasers, Keepers and Seekers, in an entire rainbow of team liveries; a young Professors of Potions, an aged Maester of Transfiguration there. Within the scope of fame, there are the greats and smalls still; Nicholas Flamel, Agrippa, and Paracelsus shared wall space with Furmage, Alderton and Pennfold. With the exception of priority given through proximity, like much in the wizarding world the portraits had been hung up with no rhyme or reason. Famous Healer lodged next to Animagus, who hung next to wand-maker and hex-breaker. Important wizards who had had rumors of dark wizardry attached to their names during and after death leered at paintings of tough-looking Aurors from their perch in the world of oil and canvas. There was a Malfoy, a Lestrange, and several Blacks, all of whom were in a constant state preternatural of grumpiness. And in a tiny, dirty cramped frame near the floor was a soot-covered painting that of a scary-looking Elizabethan. That was the Gaunt family's only portrait. He only spoke in Parseltongue. Hearing its hiss underneath the babble of the rest was deeply unsettling for Fudge. Like seeing a dementor lurking in the background of your family portrait. There it was, softly; like air being let out of a balloon. He felt the hairs on the back of his neck stand up.
As Fudge's steps took him closer to his stack of preordained papers, the aspects depicted became more recognizable. Here was Mirabella Plunkett, in full haddock form; a strangely calming depiction of Wendelin the Weird being burned for the 44th time, Marjoribanks with his gillyweed, Sawbridge, Beamish, Uric and the Jellyfish, Newt Scamander, a double portrait of Mungo Bonham and Gunhilda of Gorsemoor, Hengist, Cliodne, Wenlock and Platt, a curious portrait of the Golden Snitch from the World Cup of 1473 -- and one, of course, of Sir Elton John. How you managed to fool them, I'll never know, thought Fudge, as he gave a friendly wave to the one the Muggles aptly knew as "Pinball Wizard".
Appropriately enough, ahove the door was a lovely picture of Daisy Dodderidge. Fudge apparently still had a scowl on his face, for she chimed to him, "That Lockhart mix again, Minister?"
"Yes, Daisy."
"Rotten stuff, I hear. Shame you never drank in the Cauldron when *I* was there." She winked and laughed.
Fudge smiled in spite of himself. "A shame indeed, madam."
He slammed the door and left the chatter of the hallway behind him, only to wake up the several still-dozing portraits he'd elected years ago to hang in the Big Office.
"Oh, there he goes again. So high and mighty!" said a painting of an old, grandmotherly-looking witch in an electric pink wig.
"Hello Artemisia," mumbled Fudge, weary-sounding.
Lufkin turned to the stout looking, middle-aged wizard in the frame to her left "He's been eating heavy again! My, Grogan! The size of him!"
"Leave the boy alone," replied a pleasant-looking man with two chins and bright eyes. "He's obviously found the Ministry Wine Cellar again."
"There isn't a Ministry Wine Cellar," replied a thin-faced woman in a ruff collar. She had a sharp, correctional tone. "There's only a Room of Requirement, Grogan."
"Then I fancy it filled its name rather well," replied the bright-eyed man. "Ten years! Ho! Ha! It never was anything but a wine cellar to me! Hahaha!" A nearby painting of a man with a Van Dyke beard and an accordion began to laugh and hoot. Elfrida Clagg and Quong Po joined in too.
"Not in the mood!" roared the Minister. The chorus quieted themselves abruptly. As he walked away from them, they began to whisper among themselves.
Fudge took a step or two, and looked up. Closest to him now was a picture of a round-faced, happy couple together in painting, laughing and smiling at some private joke.
Normally you didn't get depicted unless you were dead. Fudge, however, had made a special request for this one.
Fudge took a moment to gaze at them.
Frank.
Alice.
I miss you.
He passed them, and Barty Crouch Sr.'s painting, in silence.
Crouch never said anything.
~~~~~~~~~~
Walking into the Big Office is an striking affair for a newcomer. Like many structures set up in a bastard style -- the Medieval lust for overwhelming force combined with the style of the Palladian Era, in this case -- it was designed to intimidate and stagger. And indeed it did. Fudge's preferred place of lodging, the Minister's Study, was intimate, easy. A desk, carpets, lamps, bookshelves, comfy armchairs, all within reach. Not so here.
What did the Minister's Office look like? Like Inigo Jones had designed it. It had the feel of a banqueting hall set up for one man, the Chiswick House air. To a cricket, it'd be a cathedral. To Fudge's eyes, at least today, it was just a big rectangular room, done with more paneling of dark wood (when the light hit it, it looked cherry); a fifteen-foot ceiling with a twenty-foot miniature dome centered right above the Ministerial desk. The cupola, like the ceiling of the Great Hall at Hogwarts, was enchanted. It too depicted a sky; but rather than show the one outside, the little dome showed the weather within. That is, it changed its appearance according to how the occupant of the office was feeling. Some days it would be sunny, others cloudy, rarely stormy. God help us when a manic-depressive sits in this chair, Fudge thought. The quickly alternating sounds of birds chirping followed by great rolls of thunder was unsettling enough. Obviously, such a magical mural could be politically problematic if your job in life was to glad-hand and pour oil over troubled waters. Yet nobody had ever really figured how to be rid of it -- the confessional canopy had caused no shortage of embarassment during tense negotiations in the past. For this reason, most diplomacy happened in the State Room. Around the lip of the dome -- still in wood paneling -- lay an architrave, ostensibly supported by two wooden columns, same color as the walls. The pillars stood about five feet on both sides from Fudge's desk.
The rest of the surrounding walls, done in the same ubiqituous dark wood paneling, saw a row of eight-foot tall windows (in what Fudge thought of as the "Monticello" style) with balustrades running along the outdoor side. There was about three feet of spacing between each span of glass, which were taken up by a wood pilasters from ceiling to bottom.
While most of the Ministry is underground, it had always been the Minister's pleasure to have a source of ample, and natural, light. Like the entrance to the Leaky Cauldron, Muggle eyes just tended to skip over the building with the large windows; if they did manage to pay attention to it, they were rewarded with the sight of what was to all appearances a very old, and very closed, barbershop -- albeit one with vermiculated stone in the bugnato rustico vein. When the sun went down, inside the office, floating glass orbs set in horizontal concave hollows in various positions on the walls would self-light -- and float over to the desk, if summoned. This generally wasn't necessary, as the fine elvish torchieres standing around his desk did most of the job.
The entire design of the room lent to the paradoxical piano nobile feel of the Big Office -- although the large onyx fireplace on the back wall eight feet beind the desk was an odd choice, he thought. As was the magnificent, ever-changing Persian carpet that covered the floor. It was very much alive -- with its labyrinthine patterns changing day to day, its long serpentine lines shaping their endlessly daedal convolutions anew each morning. Why shouldn't it? The carpet, though priceless, was still a flying carpet, after all. And though it was, of course, beautiful to behold, every few years it began to regain consciousness and move around furniture, and the appropriate carpet custodial "drugging" spell was looked up so to get the monster rug back to sleep. In essence, it had to be Imperio'd every couple of years.
The first time Fudge had been told this, he had shrugged. Furniture was like that. Doubtless this carpet, like the bear-skin rug in the White House, had a very high opinion of its own person, and repeated this to itself frequently.
There was a mullioned bay window, jutting out oriel-like, in the far back left-hand corner of the room, and right next to that was a faux-woven bamboo window, like the one in the Joan tea house in the Urakuen garden of Inuyama. That had been Fudge's innovation -- he had brought back the idea when he had visited Nippon five years ago, for the meeting of the International Federation of Warlocks. Fudge's addition, beautiful as it was, was not alone in claiming an aesthetic place of honor in the Big Room. There were touches of brilliance dispersed throughout the chamber. Over the revivalist base of the room there was a veneer of redecoration in the Art Nouveau style: the two sitting chairs, couch, and coffee table near the front of the room, a clock with fine traceries -- and ruling over this, a truly sublime frieze of the same fin-de-siècle school, the sort of free-flowing burst of poetry that's usually seen wrought in iron, not rock. It was positioned over the fireplace and had the virtues of being panoramic without being massive, impressive without being heavy, eye-catching but not distracting -- powerful, but not overpowering.
The piece itself? It was composed of organic curves and sinuous shapes, dynamic undulations expressing the form of beauty in a syncopated medley played out by an orchestra of Pre-Raphealite parabolas and hyperbolas -- now warring, now in harmony. It was as if a growing of plant forms had been summoned forth from stone to weave and coil for their own delight. There was a dreamlike quality to this work, to be sure; looking at rondure and whorl, at full-meniscus and half-moon, at curvature and crook; at every swerve, twist, turn, and veer -- gazing at them, it was like a school for the soul; a dream, a vision, at the edge of remembering, as if you had seen them long ago, in a yellow book, in a past far gone.
Lucius Malfoy hated it.
Fudge did not.
And concerning the desk in the middle of the room: amoeboid was the best description of its shape, but it bore a closer resemblance to a boomering, relaxed, and worn down, turn by turn, under the soft erosions of time, into a thing of of autumnal beauty.

Like most magical desks, the space for your legs conveniently moved to wherever the Minister's chair happened to be, usually with a sound very much like a baby's gurgle, which to Fudge was strangely comforting, even though he knew he ought to be creeped out by it. Its subtle whiplash extremities and curvilinear, foliate form -- all of this was deeply pleasing to him on an unconscious level.
True to his routine, Fudge walked over to an innocuous-looking panel in the wall. Upon his touch, the surface of it slid back and revealed a cabinet with two shelves above a marble counter with a small black cauldron resting on it. The entire space was crammed with bottles and sealed jars. Sitting on the far right on the lower shelf was a gray mortar and pestle.
He took it out and put it on the marble counter. He grabbed a once-clear glass jar that had turned a cloudy, dirty yellow. He unscrewed the lid, put his index thumb and thumb in too withdraw a large, dead scarab beatle. He sniffed it. Hm. Still good. He dropped that in the mortar and began to grind it. He found the best way to render the bug into the right consistency of residue was to begin gently and then gradually press harder, until you'd made the insect into an even, yellow paste.
Done. He grabbed a black bottle and popped its cork. Ugh. Armadillo bile never stopped smelling, or tasting, awful. He poured the foul liquid into the cauldron and then scrapped the beetle's remains in there too. Finally, he took another jar, this time of ginger root, and extracted a fat, knotty, buff-colored clump, which he then cut using a knife with a silver handle that he pulled from the top shelf.
The root fully chopped, he dumped that, too, into the cauldron and fastened and double-checked all of the jars he'd used. He pulled out his wand and began to stir the mixture of all three elements. When they had been fully mixed, he withdrew his wand from the solution, said a few words, and tapped the cauldron twice. That done, he raised the pot to his lips and drank what he'd just prepared.
Armadillo bile.
Ginger root.
Scarab beetle.
That was how you made it.
Every morning of every day of his entire adult life, Cornelius Fudge brewed and drank the Wit-Sharpening potion.
It was horrid-tasting, but it had to be done.
After swallowing the last drop, he whispered "Tergeo" to the cauldron and placed all the items in their usual spots, after wiping off his wand-end with a rag. He then closed the door and sat down, behind the desk, in a wide red chair.
Feeling better now, he leaned back and looked at his Very Ministerial Office. He had to admit: even if it wasn't as cushy to him as his preferred nook with its deep green walls, for all its hodgepodge and patchwork, his surroundings has a impressive, serene, majestic beauty. This was a room of power and history.
On his desk, as always, was a lime green bowler.
He put it on and got to work.
The stack wasn't as bad as he thought. He held up the first piece of parchment from his inbox. It was a folded letter, addressed to CORNFUDGE, MINN OF MAGIC. The wax seal securing had been pressed in by a ring whose emblem was a cat's paw. Stars and garters, not him again...
Dear Minnister,
Im' writing You Agan to Apply for the job of Owl Postmaster General for the Ministry. I beleve My Record speakes for itself, and Let me tell You...
"Oh, Filch," chuckled the Minister "I thinkthis makes five this year alone." Hmm, he thought. I thought I told them to just forward this downstairs. No luck. No use getting Dumbledore any more dyspeptic that he already is. I take Filch outside of Hogwarts and he'll start hanging around pet stores again, with that lustful stare -- just like last time. Besides, what would Mrs. Norris do around so many birds? Probably get pecked to death, that's what. Fudge began to guffaw loudly at this image, and did so for about half a minute. He then leaned over and began to write his response:
Dear Mr. Filch,
Impressive as your credentials are, I must humbly beg of you to forgive me. I would appoint you post-haste, my dear friend, but I have recently been told by Hecate Moonstone ("that'll do for a name") that, in point of fact, Hogwarts is already the centrepoint for all owl communications! That is, due to its importance, position, and populations, Hogwarts, in effect, already really is the Hub of all avian-based communiques in the United Kingdom, bypassing middling hubs like London and Ministry by leaps and bounds.
So, congratulations! In effect, by being Hogwarts Caretaker, you already ARE the Owl Postmaster General, and I would not for a moment to replace in a meager increase of salary for what you, sir, would lose in eminence by transferring here. To trade a few more Galleons for Gold just isn't the Argus Filch way!
I look forward to seeing you soon.
Give all my best to Madam Norris.
Yours,
Fudge! :)
In the dome above him, a glorious sun broke through the clouds.
He had finished cackling wickedly to nobody in particular when the realized the paintings were all whispering about something. "Gossip," he thought, and was reaching for the next letter when a man he knew burst in.
Croaker. An Unpseakable.
From the Department of Mysteries.
"Minister!" he wheezed. "Thank Merlin you're here! We were afraid you might've left for the school already." He was short of breath and panting heavily.
Fudge suddenly felt his hand begin to shake underneath the desk.
Something was wrong.
Fudge calmly stood up. "What's happened?"
Beads of sweat were on the man's brow. He'd run all the way up here. "The room. You know the one I'm talking about."
What? "I'm sorry, Croaker. I haven't the foggiest --."
The Unspeakable leaned against the wall.
Something was not right.
"Minister, it's moving again. We've got a small army of men down there. Specialists. Aurors. That Defense Against The Dark Arts teacher you put on your staff as a retainer --"
"Lupin."
"He's down there too. They can all testify to it. I've seen it with my own eyes...the air...the air's as still as a tomb down there, but you wouldn't know it."
Unspeakables do not become nervous easily. Croaker's eyes were staring past Fudge at the wall behind him; his pupils big, terrified. He spoke haltingly. "We've been seeing billows since last night. More violently than ever. And they're only getting worse."
Fudge felt a sinking feeling in his chest.
He was suddenly very scared.
"You mean..."
Croaker gasped for air. "The Veil, Minister."
"Something's coming back through."
